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Drifting Symmetries

Projects, Provocations, and other Enduring Models by Weiss/Manfredi

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Recent buildings and projects by New York-based firm Weiss/Manfredi alongside historic case studies as references for their multidisciplinary approach that integrates architecture, art, infrastructure, and landscape

English edition
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Title Details
By Marion Weiss, Michael Manfredi
Edited by Eric Bellin
2024
Hardback
496 pages, 336 color and 160 b/w illustrations
23 x 29.5 cm
ISBN 978-3-03860-378-8
Product safety
Responsible person according to EU Regulation 2023/988 (GPSR):

GVA Gemeinsame Verlagsauslieferung Göttingen
GmbH & Co. KG
P.O. Box 2021
37010 Göttingen
Germany
+49 551 384 200 0
info@gva-verlage.de
Safety notice according to Art. 9 Paragraph 7 Sentence 2 of the GPSR is unnecessary

In an era when the dual challenges of climate change and social isolation loom large, Drifting Symmetries emerges as a pivotal exploration of architecture's role in shaping a sustainable and connected future. Weiss/Manfredi's groundbreaking work transcends the boundaries between landscape, infrastructure, and architecture by reinventing sites in response to environmental and social challenges. Presented in this comprehensive volume of projects and parallel research, their work demonstrates a multidisciplinary approach that invents new settings for public life by exploring the gradient between nature and architecture.

Featuring Weiss/Manfredi’s most acclaimed built works alongside historical precedents and insights from Thom Mayne, Barry Bergdoll, Walter Hood, Nader Tehrani, Tatiana Bilbao, James Corner, Meejin Yoon, Rahul Mehrotra, Hashim Sarkis, Sarah Whiting, and many others, Drifting Symmetries is more than a showcase of projects; it's a manual for expanding the terrain of contemporary architecture to construct more resilient settings for contemporary life.


 

Echo
Drifting Symmetries was chosen for The Editors’ Year-End Picks for the Holiday Season of the Architectural Record by Matthew Marani: “The book is Weiss/Manfredi’s first monograph in 15 years—and clearly the architect duo used that hiatus to radically reimagine how their buildings could be presented in such a format.”

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